Episode

Screenplays of 2014

Screenplays

Matt Bird joins us to discuss a selection of quality screenplays from 2014. We look at what makes these scripts tick and what the takeaways are for writers.

Mentioned in the episode:

Matt Bird’s blog series on the best screenplays of 2014

Selma 

Nightcrawler

Whiplash

Edge of Tomorrow

Snowpiercer

Boyhood

Amistad

Mississippi Burning

Schindler’s List

White Man’s Burden on TV Tropes

Little Women

A Little Wanting Song (the book Cheryl was actually thinking of when she was talking about a Cath Crowley novel — not Ms. Crowley’s other novel, Graffiti Moon)

Groundhog Day; the suicide sequence

Quantum Leap

Source Code

Dr. Strangelove

Up Series

The Matrix

The Matrix parody with Will Ferrell

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Direct Download Link for the episode

More about this show, for new listeners: This is a creative writing podcast and a screenwriting podcast. In The Narrative Breakdown, Cheryl Klein, James Monohan, and other guest co-hosts discuss storytelling tips and techniques of interest to any writer, student, or fan of quality creative writing, screenwriting, playwriting, fan fiction, English literature, etc. Each episode, Cheryl and James draw upon their respective experiences in publishing and filmmaking to analyze popular novels, movies, plays, television shows, short stories, and song lyrics. Featuring various co-hosts and writers, as well as material from Cheryl Klein’s book ‘Second Sight’ and James’ iPhone app ‘The Storyometer.’

3 Comments ↓

3 Responses to “Screenplays of 2014”

  1. Fred Garber March 1, 2015 at 2:29 pm #

    With regards to Edge of Tomorrow, I think the growth was supposed to be in Tom Cruise from a paper leader (he was an officer, he was the ‘face’ that the army used to sell the war) into a real leader and officer. He had to learn the value of sacrifice, ironically by making his own life so cheap (until it wasn’t)

    When I watched Snowpiercer, I couldn’t help but compare/contrast it with Captain America. Both of these movies require some suspension of disbelief as to the cartoonish setting. In both movies, Chris Evans is the leader of a diverse band of underdogs, fighting a heroic fight to end oppression. But the characters are very different men, although they are played with the same actor, hitting some similar beats.

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