Writing for Hire with Kass Morgan

We talk with author and editor Kass Morgan about her novel THE 100, soon to be a TV show on the CW. Topics include working with a packager, applying or not applying her own rules, and the challenges of writing an ensemble story. Follow Kass on Twitter. Mentioned in the episode: Alloy Entertainment Battlestar Gallactica […]

Continue Reading →


Dialogue Tags, Macro Editing, and More

We address listener-submitted topics, including ebooks, dialogue tags, and macro editing. This is our 25th (silver anniversary) episode. Thanks for listening! We mention Wool’s publishing deal. Click the link for more info. Direct Download Link for the episode More about this show, for new listeners: In The Narrative Breakdown, Cheryl Klein, James Monohan, and other […]

Continue Reading →


Thriller Types and Tropes

Matt Bird is back for a breakdown of the thriller genre. We discuss transgression / noir thrillers, conspiracy thrillers, action thrillers and more. No need to pay for an MFA program. This episode is a graduate-level class that will benefit writers of all genres, not just thrillers. Films and TV Shows we mention: Breaking Bad […]

Continue Reading →



The topic is subtext: Why, when, and how you should use it. Cheryl and James, along with guest co-host Matt Bird, discuss several examples, including provocative theories about The Great Gatsby and The Hunger Games. Check out Matt’s excellent Cockeyed Caravan blog post about subtext. And check out Cheryl’s post on the same subject. As […]

Continue Reading →


Revision Techniques 1

Cheryl Klein discusses some of her revision techniques, honed through years of editing award-winning work at Arthur Levine Books, including Harry Potter. This discussion will be useful to prose and script writers alike. We also reference Anita Nolan’s excellent essay on revision. For many more revision ideas, check out Cheryl’s book, Second Sight. As an […]

Continue Reading →


Novelist and Screenwriter Chad Kultgen

James talks to novelist and screenwriter Chad Kultgen – it’s a discussion that should prove fascinating to all writers – about his ideas, work habits, and success in several mediums. Chad has sold as many as twenty TV shows, written four novels, penned several screenplays, and ventured into graphic novels and videogames. Chad’s novels include […]

Continue Reading →


Crafting Subjectivity Within Objective Point of View

When writing prose from a third person (objective) point of view, what kind of techniques can you use to portray the subjective viewpoint of your characters? Cheryl and James explore this challenge, using Hugh Howey‘s hit thriller WOOL, along with HARRY POTTER, as fodder for the discussion. We’re glad to be back in action on […]

Continue Reading →


1st Person POV in Film

Filmmaker Jack Tomas joins James Monohan to discuss first person point of view techniques in screenwriting and film directing. Examples include Peep Show, the hit British comedy that employs only point of view perspectives. As an alternative to iTunes, you can listen right here: Direct Download Link for the episode More about this show, for […]

Continue Reading →