Writing for Hire with Kass Morgan

We talk with author and editor Kass Morgan about her novel THE 100, soon to be a TV show on the CW. Topics include working with a packager, applying or not applying her own rules, and the challenges of writing an ensemble story. Follow Kass on Twitter. Mentioned in the episode: Alloy Entertainment Battlestar Gallactica […]

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1st Person POV in Film

Filmmaker Jack Tomas joins James Monohan to discuss first person point of view techniques in screenwriting and film directing. Examples include Peep Show, the hit British comedy that employs only point of view perspectives. As an alternative to iTunes, you can listen right here: Direct Download Link for the episode More about this show, for […]

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Character Hooks

We discuss brainstorming Character Hooks – instantly intriguing character traits that are full of dramatic and/or comedic potential. When you read a book’s flap copy or see the trailer for a movie it’s not just the the plot conceit, world, tone, style, and the talent involved that makes you want pony up your hard-earned cash. […]

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Generating Characters for an Ensemble Cast

Matt Bird joins us again for a look at stories that have an ensemble cast of characters. We brainstorm how to go about generating multiple main characters, focused vs. unfocused ensemble stories, and polarized traits vs. full dimensionality. Plus, a digression into a racially-related subtopic helps make this the most controversial episode yet. See you […]

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Concept Sources > Science Fiction and Fantasy Ideas

We discuss how to generate Science Fiction and Fantasy story concepts and ideas. Screenwriter and sci-fi aficionado Jason Ginsburg lends his expertise and talks about the “Willy Wonka in Space” screenplay he’s writing. James gushes about the Storyometer – a brainstorming, outlining, and note-taking tool for writers – which has been officially approved by the […]

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